Writing feminist fiction

Signing books for Rosie, who came to hear me speak.

I launched the print version of my latest historical romance earlier this month. A local bookshop, Almo’s Books, hosted me, and laid on the supper. The photo above shows me, the book (Unkept Promises), and earlier books in the same series.

I really enjoyed meeting fans, and talking about my writing and the romance genre in general. One thing I said struck a chord with several of the people there. Romance, I told them, is inherently feminist. Here’s my logic.

Most of the people who write romance are women.

Most of the people who read romance are women.

Last, but by no means least, a romance story isn’t over until the woman in it gets what she wants.

The final point is probably the reason why the patriarchy has been putting romance down and trying to prevent women from reading it since before Jane Austen and the Bronte sisters. Romance acts as if men are not the most important people in the world. Romance thinks that what women want is an important plot point–no, more! THE important plot point.

Does that mean that romance is necessary to be a fulfilled woman? Of course not. I know many single women who lead interesting, productive and happy lives. But neither is romance a second best, a sell-out, a retreat from feminist values. If women can do anything, falling in love is one of those things.

I don’t write chick lit, or Mommy porn, or bodice rippers. I don’t buy into any of those demeaning labels. I write romance, and I’m proud of it. I write stories about two people who find one another, and in doing so, find a helpmate with whom to walk through life.

They face problems (which is what makes it a story), but they solve them together. They respect one another. They co-operate. Truly, what’s not to like?

I write capable women, and men who are strong enough to respect them. What could be more feminist than that?