Falling in Love Again

My personal romantic hero (PRH) and I used to co-ordinate marriage preparation classes for our diocese, and were also hosts for one of the five evening sessions — the one on intimacy.

We spoke of the triangular theory of intimacy, and how most relationships started with passion and liking, and developed as the couple moved into commitment.

We also talked about levels of within each of the types. For full consummate love, the couple must be fully into friendship, passion, and commitment.

The science of love

We romantic novelists tend to write about the movement from the second stage of romantic love to the beginning of the third. Stage one is the initial physical response to the person — lust, usually. Attraction, the step after that initial physical response, comes next. Attraction is that heady feeling when passion and liking combine like sparkling wine as the hormones dopamine, norepinephrine and phenylethylamine light up the brain, producing elation, intense energy, sleeplessness, craving, loss of appetite and focused attention.

The science says it isn’t a permanent thing.  On average it lasts two to three years. At some point during this period, attachment, the third stage, comes into play as we get to know the person, faults and all. Our chemical helpers here are the hormones produced during sex and during moments of affection and commitment (oxytocin, vasopressin and endorphins, if you want to be technical).

We used to tell the couples on the course about the research that suggests most people fall in love (that second, attraction, stage) multiple times in their lives — an average of seven relationships that moved from attraction to the beginnings of attachment. The trick of a permanent marriage is to fall in love with the same person over and over again.

Just after Christmas, PRH and I celebrated our 48th wedding anniversary. We are currently deliriously, utterly, and blissfully in love, and have been for several years. Maybe the fizz lasts longer as you age and slow? We must be up to around eight or nine times through the cycle by now, and it deepens.

I had lunch with another romance writer today, my friend Rue Allyn, who is visiting from America. She suggests that listening is key to a long-term marriage is to listen. Just to really, really listen. I agree, and would add commitment. It takes two, but if both parties are committed to permanence, and truly listen to one another, all they have to do then is keep breathing.

Paradise Regained

Just before Christmas, I released the novella Paradise Regained. The hero and heroine are married and have eight children. But the magic of attraction has faded. Can they get it back?

It is set in 1794, in Central Asia, and is the prequel to The Children of the Mountain King, a series that begins in 1812, when the hero of Paradise Regained returns to England to inherit a dukedom.

One of the reviews says:

This may be Jude Knight’s finest work—and considering her other wonderful stories, that is saying something. This story of love gone cold, love under attack, and love rediscovered touched me profoundly. Here careful research is only exceeded by the depth of her characterization and the beauty of her prose.

James yearns to end a long journey in the arms of his loving family. But his father’s agents offer the exiled prodigal forgiveness and a place in Society — if he abandons his foreign-born wife and children to return to England.

With her husband away, Mahzad faces revolt, invasion and betrayal in the mountain kingdom they built together. A queen without her king, she will not allow their dream and their family to be destroyed.

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EXTRACT

James sent Peter with a message to Mahzad, inviting her to join him for a private dinner. The message didn’t need to say “and bed after.” Mahzad would guess.

Peter returned with a note and a glum face.

“Your humble servant begs leave to be excused, most excellent lord,” James read. “Your obedient wife, Mahzad.”

Like hell! He brushed Peter aside and strode through the halls, the people he passed taking one look at his face and getting out of his way.

The guards on the door to the zenana stepped aside and let him through without a challenge. Mahzad wasn’t in the central room. She wasn’t in her chambers, either. He emerged back into the great room, casting an eye around the ladies who were there. Cecily, who was sitting with Mahroch, made as if to get up.

Mahroch put out a hand to stop her. “Sit. You have caused enough trouble.”

James directed his glare at Mahroch, but the old woman was not discomposed in the slightest. She needed the help of a maid to rise, but she waved the girl off and walked with much of her old grace toward Mahzad’s chambers.

“Come, Lord James. You and I need to talk.”

“I need to see my wife.” He snarled.

“Not before we have talked.”

He followed her, of course, but his irritation was rising by the minute.

She deflated him by rounding on him as soon as they were in private. “James, I always thought you to be an intelligent man and one with enough sense to see what was in front of his nose, but I am disappointed in you.”

Attack being the best form of defence, he answered hotly, “Don’t tell me that you believe these scurrilous rumours about Mrs. McInnes. She is not my mistress. Not that I owe you or anyone else an explanation.”

Mahroch lifted an elegantly plucked eyebrow. “Not even my granddaughter?”

“Mahzad should know I would never dishonour her.” James relieved some of his tension by striding swiftly across the room and then back again. “Yes, and the rest of the citadel, too. It is a ridiculous conclusion to jump to. Insulting to me and to Mrs. McInnes. I can understand the Qajar commander but my own people?” His temper, barely in check when he’d arrived, was now at boiling point.

Mahroch was neither intimidated nor impressed. “Your own people, including your wife, would have been less inclined to make assumptions about your relationship with Cecily McInnes had she not been at pains to give the impression that you and she are lovers.”

“No.” That couldn’t be true. “She didn’t, did she? But why?”

The old woman dismissed his question with an elegant wave of one hand. “She had her reasons, and I am somewhat in sympathy with her, though I have put a stop to her mischief.” She bent forward, meeting his glare with her own. “But it remains for you to undo the damage that she—and you, I might add—have done.”

“What have I done?” James protested. “I have done nothing!”

“You will have to discuss that with my granddaughter, James,” Mahroch replied sharply. Her voice dried as she continued. “I suggest you spend at least part of the time listening. You will find her at the archery butts, I imagine. When she left here, she felt like killing something. Oh, and just a small hint. It would not harm your masculine essence to tell her how you feel about her.”

What was that supposed to mean? As James stalked through the citadel and down into the cellars, he tried to think about Mahroch’s last remark, but the injustice of the accusations against him kept shouldering out other considerations. Not least because, for a fraction of a moment back at the caravanserai when Cecily had offered herself, temptation had reared its serpently head. Only physically and he dismissed it, of course. He should be receiving credit for that, not suspicion and a cold shoulder for thoughts he’d never had and actions he’d not taken.

Cecily’s treachery didn’t bother him as much as Mahzad’s willingness to believe the lying woman. Felt like killing something, did she? James felt like spanking someone, and he blamed Mahzad for that entirely. He’d never raised his hand in anger to a woman in his life, especially not Mahzad, who had been his equal and his partner since the day they had escaped her father’s caravan.

Mahzad had posted a man at the doors to the range to prevent anyone else entering.

“Try to stop me,” James invited, and the guard wisely stepped to one side.

Inside, every lamp was lighted, but even so, the butts wavered in and out of shadows. Not that Mahzad was fooled for a moment. Arrow after arrow slammed into the centre of each target as she drew and shot, drew and shot, drew and shot, a dozen arrows at a time and then only seconds to reach for the next dozen and begin again.

***

For more about the hormones that support love: How love works

The Road Less Travelled, or is it?

Hi All!

I’ve recently discovered Jude Knight. What genre does she write, you say?  Well, she doesn’t write straightline genre. I was glad to find someone else, besides me and Diana Gabaldon, who does the same. She’s recently released A Raging Madness, a historical romantic suspense, but…I won’t try to box her writing into a category. You decide!

Over to Jude! Here she is!

I write the type of novel that I like to read, with strong determined heroines, heroes that almost deserve them, and villains who are more than paper cut-outs. I like complex plots with real issues at stake, and I enjoy a sense of the rich tapestry of life, with characters galore. I’m a history addict, so most of stories are set in the past, and historical details colour the background, characters, and conversation.

And, though my novels and novellas are stand-alone, I have created a fictional worlds that I revisit time and again, where we meet characters we’ve known before from other books, even those not in a series.

The complaints began before I finished my first novel, Farewell to Kindness. I had a few critiques from book industry people that suggested I was skirting too near to the edges of the historical romance genre. I should remove the villains’ POV chapters. I should simplify the plot. I should soften the heroine, who starts the book by threatening to shoot someone. I should remove some of the action and add in more about the romance. I should move the meeting of the hero and heroine closer to the front of the book. I should remove the two secondary romances, the heroine’s older sister, and a number of other characters. And I certainly shouldn’t kill one of my sympathetic characters.

These critiques were kindly meant. My advisers wanted me to write a book that would sell. Writers need readers. The story isn’t just the one I tell; it’s the one you hear, and until you hear it, it doesn’t live.

I didn’t ignore them. I tightened my writing a lot. I did remove some characters and ‘unnamed’ others to make them less distracting. But I didn’t completely rewrite my book, either. The book these advisers wanted me to tell could have been written by any competent writer. It wasn’t one I could throw a year of my life at.

Since I launched Farewell to Kindness two years ago, I’ve sold just under 2,000 copies, which is not terrible for a first book. I’ve found readers who’ve gone on to read my other books. I love that they’ve enjoyed the book, and cried in the right places, and argued over whether the hero’s cousin is an arrogant so-and-so, and written me some wonderful reviews. I have a four star plus average rating on Goodreads, and higher on Amazon and I get comments like:

Could barely wait for it—and it didn’t disappoint.

I’m not sure where Jude Knight keeps coming up with the ideas for her books, but I am so glad that she does. Each one is unique and different.

I’ve been in a rut of romance novels always having the same story line-ish plot… This one is a little different which is good.

Maybe my audience is relatively small, and a different book may have reached more readers. But this is my book, and I love it. I’ve gone on to write three more novels, as well as a number of novellas and short stories. The novellas fit more tidily inside genre expectations than the novels, but I experiment even with them.

I keep seeing advice on how tailor books for the market. Which is fine if that’s what you want to do. But I’m no longer a young woman. I don’t have time to write books that don’t absorb me. If I let others shape my writing I might be mildly successful but dissatisfied.

The thing is, ‘the industry’ inevitably plays it safe by doing what has worked, and therefore is doomed to playing catch up when readers follow something new and different. Maybe, they’ll follow me, and maybe they won’t. But if I write what I want to write, I will be satisfied, and if people like it they’ll need to come to me to get it

 

 

A Raging Madness

 ~Their marriage is a fiction. Their enemies are all too real.~ 

Ella survived an abusive and philandering husband, in-laws who hate her, and public scorn. But she’s not sure she will survive love. It is too late to guard her heart from the man forced to pretend he has married such a disreputable widow, but at least she will not burden him with feelings he can never return.

Alex understands his supposed wife never wishes to remarry. And if she had chosen to wed, it would not have been to him. He should have wooed her when he was whole, when he could have had her love, not her pity. But it is too late now. She looks at him and sees a broken man. Perhaps she will learn to bear him.

In their masquerade of a marriage, Ella and Alex soon discover they are more well-matched than they expected. But then the couple’s blossoming trust is ripped apart by a malicious enemy. Two lost souls must together face the demons of their past to save their lives and give their love a future.

Giveaway

Jude is giving away a free ecopy of each of the other Redepenning stories to a random commenter: Candle’s Christmas Chair and Gingerbread Bride (novellas) and Farewell to Kindness, so leave your thoughts below! She’s ken to answer!

Author Bio

Jude Knight’s writing goal is to transport readers to another time, another place, where they can enjoy adventure and romance, thrill to trials and challenges, uncover secrets and solve mysteries, delight in a happy ending, and return from their virtual holiday refreshed and ready for anything.

She writes historical novels, novellas, and short stories, mostly set in the early 19th Century. She writes strong determined heroines, heroes who can appreciate a clever capable woman, villains you’ll love to loathe, and all with a leavening of humour.

Website and blog: http://judeknightauthor.com/

Facebook: https://www.facebook.com/JudeKnightAuthor/

Twitter: https://twitter.com/JudeKnightBooks

Pinterest: https://nz.pinterest.com/jknight1033/

Smashwords: https://www.smashwords.com/profile/view/JudeKnight

Goodreads: https://www.goodreads.com/author/show/8603586.Jude_Knight

Amazon author page: https://www.amazon.com/Jude-Knight/e/B00RG3SG7I

 

Email: jude@judeknightauthor.com

A Raging Madness, encompassing  regency romance, historical romance, historical suspense, regency noir and gothic, was released 9 May and is rated PG-13, 382 pages on Kindle.